
Concert Division
Medal of Distinction
Global Initiative for Talented Students (GIFTS) in association with Perform America – TX, LLC is excited to offer a new educational opportunity for middle and high school band, choir and orchestra programs. Introducing Medal of Distinction, a unique recording submission process designed to celebrate excellence in performance while simultaneously offering practical and exciting opportunities of growth for both students and directors. All participants will have access to a wealth of knowledge from evaluators with a variety of musical backgrounds. The Medal of Distinction program serves as a means to bring together a community of musicians and educators striving to better themselves, their programs and the art of music-making.
CONTEST OVERVIEW
Ensemble recordings are evaluated in two rounds by judging panels composed of nationally recognized educators and conductors. After the initial listening in the ‘Premier Performance’ round, the top performing ensembles are advanced to the Encore Circle for an “encore” listening and will be listed as ‘Encore Circle Winners’ ensembles. The top ensembles in this group will be listed as the ‘Maestro’s Circle National Winners’ and the opportunity to have a Medal of Distinction evaluator make a personal visit to their program for a clinic. This in-person interaction with a master teacher is what makes Medal of Distinction a truly educational experience!*
*Some ensembles have one evaluator, but will still have the opportunity to receive a visit from the evaluator based on availability! International Ensembles if participating can earn recognition in the Encore Circle or as National Winner in the Maestro’s Circle, but are not eligible for an in person clinic at this time.
2025 Entry Information
National Youth Wind Ensemble of Distinction
National Youth Choir of Distinction
National Youth Orchestra of Distinction
National Youth Jazz Ensemble of Distinction
National Youth Mariachi of Distinction
National Youth Chamber Wind Ensemble of Distinction
National Youth Percussion Ensemble of Distinction
2025 Medal of Distinction Evaluators (will be updated soon, registration is open)
PREMIER PERFORMANCE LISTENING

Mike Howard
Mike Howard (Leander, TX) Mike Howard currently serves as Director of Fine Arts for the Leander Independent School District. Prior to this, he spent 20 years as a high school band director, most recently in Leander ISD at Vandegrift High School. He was one of the founding directors when VHS opened in 2009 and became Director of Bands in 2014. During his time at Vandegrift, Mr. Howard’s marching bands were recognized with several high honors, including being named 2019 Bands of America Grand National Champion, a four-time BOA Regional Champion, consistent BOA Super Regional Finalist, and three-time UIL State Marching Contest medalist. The Vandegrift High School Marching Band was also awarded the Sudler Shield by the John Philip Sousa Foundation in 2019. Under Howard’s direction, the Vandegrift Wind Ensemble was selected as the 2018 TMEA 6A State Honor Band and performed at the 2019 TMEA Convention and was chosen as a featured ensemble at the 2021 Midwest Clinic in Chicago. The Vandegrift Concert Band Program was also the recipient of the 2020 Sudler Flag of Honor by the John Philip Sousa Foundation. Prior to his time in Leander ISD, Mr. Howard was an assistant band director in Katy ISD.
Mr. Howard currently serves as Texas Music Educators Association (TMEA) State Vice President and Band Division Chair. He has also served as the Texas Music Adjudicators Association (TMAA) Concert Band Vice-President, TMEA Region 32 Band Division Chair, and TMEA Area E Band Division Chair. Mr. Howard is an active clinician around Texas and has served as an adjudicator for UIL, Bands of America, and Drum Corps International.
Mr. Howard’s professional affiliations include membership in the American Bandmasters Association, Phi Beta Mu, TMEA, TMAA, and the Texas Bandmasters Association. He graduated from Texas State University with a bachelor’s degree in Music Education, and from Concordia University Texas with a master’s degree in Educational Administration. He lives in Leander, Texas, with his wife Amber, daughter Madison, and son Justin.
Mike Howard

Cindy Bulloch
Stanley Scott Coulson was born on July 1, 1958, in Dallas, Texas. His parents were Stanley and Dorothy Coulson of Mesquite, Texas. He was raised in Mesquite and lived and worked there his entire career. Stan and Dorothy were Scott’s biggest fans, attending every performance of his they could until they were no longer able. His cousin Debbie came to live with them when Scott was eleven years old. Scott came to love her like a sister.
In middle school, Scott’s best friend, John, who was one year older, played the trumpet. Scott really wanted to play the trumpet like his friend, but when he went to the instrument sign-up night, it was decided that he had a good ear and was assigned to play the french horn. His heart just wasn’t totally into it – he wanted to play the trumpet! At the end of his eighth grade year, Scott asked if he could switch to trumpet. He was told to take trumpet lessons over the summer, and he would be auditioned at summer band – no guarantees though! So, Scott’s parents bought him a used Olds Ambassador cornet. At Big Town Mall, there was a music store upstairs across from Montgomery Ward. You could take music lessons there! Scott’s mom loved shopping at Big Town, so… win-win! Teaching trumpet there was Al Sincermontye – retired from the Ft. Worth Symphony. Scott began his trumpet playing career playing along with Al from the Herb Alpert and the Tijuana Brass Songbook. Scott auditioned at summer band and he was now a trumpet player!
Scott attended Mesquite High School, where the band was under the direction of Alton Polk. During his junior year, a new director joined the MHS Band Staff – John Kline. Scott was in the jazz ensemble directed by John. Their paths would cross again. During his senior year, several things happened that changed life dramatically for him. The first was meeting Rosemary Heffley, the choir director at Mesquite High, who had been keeping an eye on Scott. Unknown to him, Ms. Heffley was a renowned choir director who was a leader in the vocal world and helped shape the Texas Choral Directors Association. She cornered Scott early in the year and said she needed a trumpet player in the show choir, but to be in the show choir, it was a requirement to be in the A capella Choir. So, Scott joined the A capella choir. Ms. Heffley opened a whole new world of music to him. She was very demanding, a master teacher and musician. Scott had never had this experience in music. She knew he was hooked and began pushing him to study music in college. Throughout Scott’s career, Ms. Heffley served as a mentor and sounding board.
The second was meeting James Keene. Mr. Keene was the new director of bands at East Texas State University. He was visiting MHS on a recruiting visit and was asked to clinic the top band. It didn’t take Mr. Keene long to see that the band needed help! He was somewhat gracious in his approach to helping the band improve. Scott was struck by the force of his personality and his command on the podium. And last, but most important, there was a cute freshman majorette named Sandra Tucker in the freshman band. Through several interactions – always with friends, even with Scott being a senior and Sandra a freshman, it was apparent that Scott was not mature enough to date her. However, they would meet again… He graduated from Mesquite High School in 1976.
Scott attended Eastfield College the next year. Again, fortune played a role in Scott’s life as he studied Music Theory and played in the Jazz Ensemble under Pete Lengyel. Pete was a brilliant teacher of theory and jazz ensemble director. This led to a long friendship and affiliation as Pete would become the Poteet Pirate Band’s marching music arranger for most of Scott’s tenure there.
In 1977, Scott transferred to East Texas State University, and… Mr. Keene! Scott was placed in a dorm room with Bobby Francis, and somehow, they stayed friends and roomed together the rest of their college careers. Mr. Keene had brought drum corps style with him to Texas. This was life changing for Scott. He fell in love with the concepts and the excitement that corps style offered. The Wind Ensemble was world class. With Mr. Keene, intense rehearsals gave way to some legendary, unforgettable performances and musical experiences – TMEA, rehearsals and a concert with Dr. William D. Revelli, and Wind Ensemble spring tour performances that were played to packed houses wherever they went. What a tremendous experience!
Scott embraced many of the concepts in both marching band and concert band from Mr. Keene. They were a guiding influence throughout this career. He was infatuated with corps style show design and learned the basics during his college years – attending summer show design workshops taught by Mike Moxley, Pete Emmons, Steve Brubaker, and Bob Buckner, which turned into a passion of his that continued throughout his teaching career and into retirement. Scott has designed over 200 marching shows for high schools all over Texas and several shows for Oklahoma University and Southern Methodist University. Many of those were for UIL State Champions, Area Champions, festival winners, and nationally broadcast performances.
Scott graduated with a Bachelor of Music Education in the fall of 1980. During that fall, Scott was assigned to student teach at North Mesquite High School with Tony Anderson, the Texas Bandmaster of the Year and Oklahoma and Texas Bandmasters Hall of Famer, who was in his last year of teaching. Scott loved every minute of it! This was for him.
Scott served as the Trumpet Graduate Assistant at ETSU the Spring of 1981. It was at this time that he and Sandra reconnected. Sandra was attending ETSU as well. Finally, Scott was mature enough to date her! He fell head over heels in love with her and they were married in July of 1982. Of course, they cut the honeymoon a bit short so Scott could get home in time for – you guessed it – Freshman Marching Camp!
In 1981, Scott was hired as an assistant band director at North Mesquite. John Kline, his former jazz band director, was the new Director of Bands. Scott is so thankful to John for giving him his first band directing job. He spent seven years at NMHS working with John, Rick Davis, Rob Towell, and Mike Myers. Scott assisted with the marching band, designed the shows, taught beginner brass classes at the middle schools, and conducted the Concert Band.
Scott struggled as a young band director, and it was not until he began attending summer band director workshops at ETSU – led by Eddie Green and Marion West – that he began to formulate strategies and concepts for success that he would incorporate into what he had learned at ETSU. Scott, at Sandra’s insistence (and some assistance), went back to graduate school at ETSU during summer breaks and received a Master of Music Education in 1985.
In 1986, Dr. Ralph H. Poteet High School was built and was opened as a freshman campus that would feed into NMHS the first two years. Scott did double duty at North Mesquite and Poteet, still assisting with the NMHS marching band and attending afternoon rehearsals, as well as running the PHS band program. Those were two long years! Sandra served as Scott’s de facto assistant at times, helping him paint dots on the practice field before summer band and helping him at football games. She also became his most trusted critic and confidant. Throughout his career, after every performance, students would ask Scott if Mrs. Coulson got good chills or bad chills! He considers himself so very lucky to have had his best friend and love of his life by his side to share this wonderful experience. In the Spring of 1988, Scott was named Director of Bands at Dr. Ralph H. Poteet High School. Even more importantly, their son, Matthew was born that May.
Thus began a 23-year tenure as Director of Bands at Poteet High School. Scott is so very grateful to his principals in those early years – particularly Lanny Frasier – for sharing his vision of a successful band program. In 1989, Rick Davis joined Scott at Poteet as his assistant. This began a long and successful partnership. With his assistance, they developed one of the most successful band programs in the state of Texas. Other assistants would join the PHS team: Mike Myers, Christy Carlisle, Jeffrey D Jones, Steve Kath (former student and first ever PHS All-Stater), and Cody Newman. Cody would eventually succeed Scott upon his retirement in 2011.
Kimbrough Middle School served as Poteet’s only feeder. Nancy Schlegelmilch, then Saundra Shurtleff, and eventually Chris Brown served as directors during Scott’s career. Chris took over in 1995 and is still teaching there. He became part of the Poteet team, and Scott appreciates his friendship and is grateful to him for sending great band kids. It should be mentioned that at that time, MISD band students began in the seventh grade in two-year schools. Lots of fast and furious team teaching went on at Kimbrough! Scott is also so very proud of the many student teachers he has mentored as well as his former students, many of whom have gone on to successful careers in music. Leticia Downs, former All-Stater and PHS Class of 2003, is now the Director of Bands at Poteet High School.
Under Scott’s direction, the Poteet High School bands were awarded the UIL “Sweepstakes” Award for twenty-three consecutive years. The Poteet Honors Band won Best in Class and Best in Contest awards at music festivals across the United States. The Poteet Honors Band excelled in the TMEA’s State Honor Concert Band competition, placing as State Finalists six times. In 2007, the Poteet Honors Band was named the TMEA State 4A (now 5A) Honor Band. In 2009, the Poteet Band Program was awarded the “Sudler Flag of Honor” by the John Philip Sousa Foundation and was named Exemplary High School Band Program in Texas by the Texas Bandmasters Association. The Poteet band has been awarded the Outstanding Band Program Award by the American School Band Directors Association. The Poteet High School Honors Band has two reference recordings for composers John Mackey and Michael Markowski.
The Pirate Marching Band also excelled, winning Best in Class and Best in Contest awards at marching festivals in the North Texas area. The Pirate Band participated in the Texas UIL 4A (now 5A) State Marching Contest eleven times and was selected as state finalists eight times, were medalists six times and won the Texas UIL 4A (now 5A) State Marching Championship three times during Mr. Coulson’s tenure – 1997, 2005, and 2007. Matthew, Scott’s son, a Texas All-State Band oboist, was a featured soloist in the 2005 State Championship band. Having Matthew in band was definitely the highlight of Scott’s career. Upon his retirement, the staff of the Pirate Band commissioned Michael Markowski to compose a piece in honor of Scott’s career. Elixir was premiered in May of 2012 by the Poteet HS Honors band and was conducted by Scott.
Scott currently serves as Executive Secretary for UIL Region 20 Music. He is involved with marching and concert bands in Texas as a show designer and as a clinician/consultant. He is also an active adjudicator throughout the Southwestern United States. His affiliations include: Texas Music Educators Association, Texas Bandmasters Association, past Concert Band Vice-President and Marching Band Vice-President of the Texas Music Adjudicators Association, Festival Administrator for Peak Music Festivals, and past President and current Secretary-Treasurer of Phi Beta Mu International Bandmaster Fraternity – Alpha Chapter. He has also served on the UIL Band PML Selection Committee and several TMEA State Honor Band revision committees. In 2002, Scott was charged with writing the UIL’s first ever Adjudication Rubrics for Marching Band.
Scott has been inducted into the Mesquite ISD “Apple Corps” and has been named an Outstanding Alumnus for Texas A&M University, Commerce. He has been awarded the Leadership and Achievement Award by the Texas Music Educators Association and has received the National Band Association’s Certificate of Merit for Marching Excellence. Scott was inducted into the John Philip Sousa Foundation’s Legion of Honor in 2005 and the American Bandmasters Association in 2011. In 2020, he was recognized by the Texas Bandmasters Association with the Meritorious Achievement Award.
In retirement, Scott continues to be involved with music, juggling several of the above stated “part time” endeavors – these help to feed his golf habit! Sandra serves as Assistant Executive Secretary for UIL Region 20 and works part time as an educational consultant. They are so proud of their son, Matthew, who is with the State Department currently serving abroad as a Diplomatic Officer in the United States Foreign Service. Their passion is travel, and they enjoy chasing Matthew and Casey all over the world where they are posted.
Scott is very humbled and appreciative to Phi Beta Mu Alpha Chapter for his selection to the Texas Bandmasters Hall of Fame. This is truly an honor of a lifetime!
Scott Coulson
ENCORE CIRCLE LISTENING

Nick Williams

NICHOLAS ENRICO WILLIAMS is a Professor of Music and serves as the Director of
Bands at the University of Georgia, where he coordinates one of the country’s largest and most comprehensive university band programs, conducts the University of Georgia Wind Ensemble, and oversees the graduate wind band conducting area. Prior to his time in Athens, he was the Director of Wind Bands at the University of Melbourne Conservatorium of Music (Melbourne, Australia). Before venturing to Australia, Dr. Williams flourished for sixteen years as the Assistant Director of Wind Studies, the Conductor of the Wind Ensemble, Brass Band, and Concert Band, as well as the Director of Athletic Bands at the University of North Texas. For a decade, he was the Conductor of the Greater Dallas Youth Orchestra Wind Symphony and continues to be a frequent guest conductor of the Dallas Winds (formerly Dallas Wind Symphony), one of America’s few professional civic wind bands. Professor Williams earned the Bachelor of Music (music education), MM (performance-conducting), and DMA (conducting) degrees from the University of North Texas.
Professor Williams has been a guest conductor with the Opole (Poland) Philharmonic Orchestra; the United States Army Band “Pershing’s Own”; United States Navy Band; United States Army Field Band; United States Air Force Band; Royal Australian Defence Force Bands; World Youth Wind Symphony at the Interlochen Arts Camp; Dallas Winds; Lone Star Wind Orchestra; at the annual Midwest International Band and Orchestra Clinic in Chicago, Illinois; the College Band Directors National Association national and regional conferences; the Texas Bandmasters Association Convention; and the Texas Music Educators Association Annual Clinic/Convention in San Antonio, Texas.
Dr. Williams is active in Australia, Canada, Europe, Southeast Asia, and the United States as a conductor, clinician, adjudicator, consultant, and arranger; his arrangements and transcriptions for wind band, percussion ensembles, drum corps, and school pageantry ensembles are performed by outstanding organizations throughout the world. A member of the Recording Academy (GRAMMYs), he is a sought-after recording session producer, associate producer, editor, and conductor, having been involved with numerous CDs and DVDs on the Klavier, Mark
Records, and GIA labels, as well as UNT and UGA projects, including the 2024 release of “Never a Reason to Stop” by the University of Georgia Wind Ensemble, and the 2019 release of “FIESTAS” by the University of North Texas Wind Ensemble. In addition to his work in the recording arts, he has written several conductor study guides published in the multivolume series of Teaching Music Through Performance in Band. He was a primary consultant of the book Women of Influence in Contemporary Music and is an honorary member of Sigma Alpha Iota International Music Fraternity for women. His professional affiliations include the Georgia Music Educators Association, Australian Band and Orchestra Directors Association, Texas Music Educators Association, Texas Bandmasters Association, College Band Directors National Association, Phi Mu Alpha Sinfonia, and Phi Beta Mu, an international bandmasters fraternity.
Nick Williams

David Kehler

Since 2009, Dr. David Kehler has served as Director of Bands and Professor of Music at Kennesaw State University. There, he oversees all aspects of the University’s quickly expanding band program while serving as Music Director and Conductor of the KSU Wind Ensemble. An advocate of new music, Professor Kehler has commissioned leading composers to write new works for wind ensemble. In addition, the KSU Wind Ensemble has been featured on 90.1 FM (WABE- Atlanta public radio), and continues to garner praise from composers including Steven Bryant, Karel Husa, David Lang, David Maslanka, Scott McAllister, Joel Puckett and others. Dr. Kehler’s ensembles have performed at the CBDNA Southern Division conferences in 2012 and 2016, and won the American Prize for best university wind ensemble/concert band recording in 2013.
Previously, David Kehler served The University of Texas at Austin as a Graduate Conducting Associate receiving a Doctor of Musical Arts degree. From 2001-2009, Dr. Kehler served as Associate Conductor of America’s Premier Windband: The Dallas Winds where he was the director of the Dallas Winds International Fanfare Project. In addition, Dr. Kehler conducted the Dallas Winds throughout Texas, including the annual Labor Day Concert at the Dallas Arboretum, various Chautauqua festivals, holiday concerts, and a formal gala presented by the United States Armed Forces with all of the Joint Chiefs of Staff in attendance.
While in Texas, Dr. Kehler was also Founder and Conductor of the GDYO Wind Symphony, an ensemble affiliated with the Greater Dallas Youth Orchestras, Inc. During his ten years of service, the GDYO Wind Symphony established itself as one of the premier youth wind ensembles in the United States. They were a featured ensemble at the Texas Bandmasters Association/National Band Association Convention in San Antonio, Texas, and were heard internationally on “From the Top”, a syndicated radio program featuring the finest young classical musicians in the country. In addition, the GDYO Wind Symphony participated in exchange concerts with the Atlanta Youth Wind Symphony and performed with Jeff Nelson, former horn of the Canadian Brass. In the summer of 2008, the GDYO Wind Symphony embarked on an extensive two-week tour of China, performing at all of the major music conservatories throughout China and Hong Kong.
Previous academic appointments were at Southern Methodist University, the University of Rhode Island, and Bay City Western High School, in Bay City, Michigan. Growing up in Michigan, Dr. Kehler received his Bachelor of Music Education and Master of Music in Conducting degrees from Michigan State University, followed by his Doctor of Musical Arts degree in instrumental conducting from the University of Texas at Austin. Professor Kehler currently serves as Vice-President for the College Band Directors National Association-Southern Division, and has memberships in many musical organizations including CBDNA, NAfME, Phi Beta Mu, GMEA, Conductor’s Guild and others. David Kehler continues to be active as a guest conductor and clinician for both high schools and universities throughout the United States, including recent engagements at Florida State University, McNeese State University, University of Georgia, University of Missouri, and the University of Rhode Island.
David Kehler
PREMIER PERFORMANCE LISTENING

Robert Stovall

Michael Zook, Director of Choirs, Vandegrift High School, is a native Texan who grew up and attended high school in Kingwood, Texas. He received his Bachelors in Music Education from Texas Tech University in 2003, and Masters in Administrative Leadership from Concordia University in 2015.
After college Michael worked for a church in Klein for 2 years as the Youth Worship Pastor before starting his teaching choir directing career in Spring ISD. He taught Twin Creeks MS for 5 years before moving to Clements High School in Sugarland, Texas. After teaching for 2 years at Clements HS as the Assistant Choir Director, Michael was hired to be the Head Choir Director at Vandegrift High School in 2011.
This is Michael’s tenth year as the Head Director of the choir program at Vandegrift High School. In 2016 the VHS Chorale Women’s Choir was chosen to sing at TMEA and SWACDA, and National ACDA in 2019.
He is proud to be a Viper and has a genuine love for teaching and singing. He also likes to spend his free time fishing, cooking, eating, leading worship at his home church, and sings with the Conspirare Symphonic Choir in Austin, Texas.
Michael Zook
ENCORE CIRCLE LISTENING

Gene Peterson

Dr. Gene Peterson is an internationally recognized choral conductor and clinician, whose prior appointments include Director of Choral & Vocal Studies and Professor of Music at the Collinsworth School of Performing Arts at California Baptist University in Riverside, California, Director of Choral Studies at Bethel University (Minnesota) and Associate Director of Choral Activities at the University of Tennessee. Dr. Peterson has also served as music director and conductor for college, secondary school, church, and community choirs in California and Washington. Ensembles under his leadership have performed in venues throughout the United States, Europe, Australia, and New Zealand, including the Sistine Chapel, the Sydney Opera House, Chicago Symphony Hall, and Carnegie Hall.
Due to his reputation in the international choral community, Dr. Peterson is in high demand as a lecturer, choral clinician and adjudicator for local, regional, and international choral festivals, symposiums and workshops, has conducted numerous honor choirs and all-state choirs, and served as a guest conductor for choral concerts and festivals around the world.
Dr. Peterson has served in various functions for ACDA, the California Choral Directors Association, the California Music Educators Association, and the Minnesota Choral Directors Association.
Gene Peterson
PREMIER PERFORMANCE LISTENING

Joshua Thompson

Joshua holds a Master of Music degree in Music Performance in Instrumental Conducting from the University of Kentucky (Lexington) and a Bachelor of Music Education degree from the Dana School of Music at Youngstown State University. As a Graduate Teaching Assistant at the University of Kentucky, he conducted all of the university bands, the Symphony Orchestra, and various chamber ensembles. As an undergraduate conductor, Joshua became co-director of the Dana Brass Ensemble, founded a studio orchestra devoted to the performance of film music, and guest conducted both university concert bands and the Youngstown Youth Symphony Orchestra. His final conducting appearance at Youngstown State was a highly successful, full production of Igor Stravinsky’s L’Histoire du Soldat. A lifelong learner, he has recently attended several conducting workshops around the world, including the International Conducting Workshop and Festival in Sofia, Bulgaria, working with Larry Rachleff and Donald Schleicher.
As a trumpeter, Joshua was chosen to perform as part of a solo clinic at the International Trumpet Guild Conference in Richmond, Virginia, where he performed the Sonata for Trumpet and Piano by Peter Maxwell Davies with pianist Rebecca Wilt. He was a semi-finalist at the National Trumpet Competition’s Masters Division in 1998, and was chosen as an alternate for the New World Symphony in Miami, Florida after completing graduate school. As an undergraduate, he won the Dana School of Music Concerto Competition and was the winner of the Ohio Federation of Music Clubs Solo Competition in 1996. Originally from Steubenville, Ohio, Joshua first took up trumpet studies with his grandfather, a successful high school band director. He remains an active freelance trumpeter, and is in high demand as a performer, adjudicator, and clinician. In his free time, Joshua is a former competitive distance runner, racing distances from 5 kilometers to 50 miles. In 2015, he represented the City of Dallas as a citizen ambassador to Sendai, Japan, taking part in the Sendai International Half Marathon.
Joshua Thompson
ENCORE CIRCLE LISTENING

Creston Herron

Creston Herron is the newly appointed Director of Orchestral Activities for the University of Kansas and serves on the faculty of the Interlochen Arts Camp. Mr. Herron previously served as the Director of Fine Arts for the Klein Independent School District, Conductor of the Shepherd School of Music Campanile Orchestra at Rice University, Director of Orchestras at Klein High School and the Director of Orchestras for the Yes Prep Public Schools.
Mr. Herron’s recent engagements as a guest conductor include work with Regional and All State ensembles in Alabama, Arkansas, California, Florida, Georgia, Indiana, New Mexico, South Carolina, Tennessee and throughout Texas. He has also served on the summer faculty of the AFA Summer Music Festival, Stephen F. Austin University Summer Music Camp and the Indiana University Jacobs School of Music Summer Music Clinic.
As a dedicated pedagogue, Mr. Herron enjoys working with current and future educators and young performers. He has presented masterclasses and guest lectures at The Midwest Clinic, Rice University, Shepherd School of Music, Indiana University Jacobs School of Music, University of Houston, Moores School of Music, Sam Houston State University, Texas Tech University, The American String Teachers Association, The League of American Orchestras, and the NAMM Believe in Music Webinar Series. He also gives professional development workshops to educators locally and nationally and is involved in judging UIL competitions and solo and ensemble contests.
Mr. Herron has enjoyed national recognition both as an educator and musician with orchestras earning multiple national titles under his direction, including being named national winner of The American Prize, Grand Champions of the ASTA National Orchestra Festival, Texas Music Educators Association State Honor Orchestra, Grand Champions of the New York Orchestra Cup and invited group at the 75th Midwest Clinic held in Chicago, Illinois. Individually he has gained recognition for his work in music education as the Teacher of the Year at Klein High School, awarded the Marjorie Keller Outstanding Teacher of the Year Award by the state board of the Texas Chapter of ASTA and the Spec’s Charitable Award for Excellence in Music Education awarded by the Houston Symphony.
Alongside his work as an educator, Mr. Herron continues to hone his performing skills as a violinist, having collaborated with artists such as Renee Fleming, Mark O’Connor, and Rachel Barton-Pine. He has performed with Da Camera of Houston, CCM Spoleto Festival in Italy, Galveston Symphony, Trans-Siberian Orchestra, Pasadena Philharmonic, Eutiner Festspiele Opera in Eutin, Germany and the Houston Latin Philharmonic.
Creston Herron is a graduate of the University of Kansas in Lawrence, Kansas, where he received his B.M. in music performance, Rice University, Shepherd School of Music in Houston, TX, where he received his M.M. on scholarship as a Provost Fellow and a Brown Scholar, and recently received a M.Ed in school leadership from Sam Houston State University.
Creston Herron resides in Kansas City with his wife, orchestra director Dawn Herron and their three children.
Creston Herron
PREMIER PERFORMANCE LISTENING

Jose Antonio Diaz

Scott Wilson is the Director of Jazz Studies at the University of Florida and has served as Musical Director for Universal Studios Japan, principal staff composer for Grand Link World in Qingdao, China, consultant for Walt Disney’s “Magic Music Days” jazz workshops, and has been a featured trumpet soloist for Tokyo Disney Sea, Walt Disney World, Universal Studios, and Universal Studios Japan. Wilson’s jazz textbooks, the Ultimate Jazz Tool Kit and Ultimate Music Workbook, are available through Kendall Hunt Publishing and accompanied by 35 jazz instructional videos that cover topics ranging from jazz theory to song writing. His nationally available published online jazz education platforms include Jazz Fundamentals 1, Jazz Fundamentals 2, Jazz Aural Skills and Jazz History, and in 2012 Scott Wilson received the Technology Innovator Award from the University of Florida for his advancements in online delivery platforms. As a producer, Wilson has composed and helped design dozens of international performance shows for Universal Studios Japan and he co-produced the “Earth Wind and Fire Tribute” album for the Sheldon Reynolds Project in Los Angeles. This album featured new interpretations of EWF’s timeless hits and showcased an all-star cast of Hall of Fame song writers and Grammy Artists including Maurice White who co-wrote the album’s opening track “Feel Good.” At the University of Florida, Wilson developed the Jazz Minor, designed 10 new jazz courses and designed the Master in Music with Concentration in Jazz Studies. In 2011 Warburton Mouthpieces released the Scott Wilson model trumpet mouthpiece that is aimed at achieving a more supportive and functional trumpet mouthpiece for young trumpet players. For the last decade Wilson has also served as the Committee Chairman for the JENerations Jazz Festival for the Jazz Education Network International Conferences.
Before arriving at the University of Florida, Wilson held the position of Director of Jazz Studies at Snow College in Utah where he helped design and host four Juilliard Summer Jazz Camps. Wilson was then selected to host the Gordon Goodwin Big Phat Jazz Camp at the University of Florida and this event culminated with a concert featuring the entire Gordon Goodwin Big Phat Band from Los Angeles, California. Along with Lincoln Center Jazz Orchestra trombonist Wycliffe Gordon, Wilson co-developed the Hapco Jazz Camps in Orlando which have been running for over a decade and target inner city school students to provide them with scholarships and access to award winning professionals. In collaboration with Hapco, Latin Grammy Winner Jose Valentino and Wycliffe Gordon, Wilson co-developed the International Jazz and Entrepreneurship camps to train aspiring musicians to maximize their careers and entrepreneurial ventures.
Scott Wilson received a Master Degree in Jazz Studies and a Master Degree in Music Education from the University of North Texas. At the University of North Texas he taught courses in Jazz Theory and performed in the One O’Clock Lab Band and served as Adjunct Faculty. Wilson was also selected as a Teaching Fellow in Jazz Arranging and scored several original big band compositions for the One O’clock Lab Band albums (Lab 1995, 1996, 1997).
In addition to his dynamic live and recorded performances on trumpet, Scott Wilson is regarded as one of the world’s foremost proponents of the electronic valve instrument (EVI). His numerous transcribed trumpet and EVI solos are available on video on his website. On trumpet and EVI, Wilson has performed and worked with numerous legendary jazz artists including Benny Green, Wayne Bergeron, Stevie Wonder, Jeff Coffin, Rashawn Ross, Conrad Herwig, Wycliffe Gordon, Shelly Berg, Roger Ingram, Steve Smith, Denis DeBlasio, Greg Bissonette, Brian Bromberg, John Beasley, Eric Miyashiro, Claudio Roditi, Sam Rivers, Terrell Stafford, Carl Allen, Peter Erskine, Eric Marienthal, Bobby Shew, Slide Hampton, Dick Oats, Brandon Fields, Lew Soloff, Ron Blake, Ben Wolfe, Terreon Gully, Geoffrey Keezer, Jeremy Pelt, John Pizzarelli, Chris Slade, Ed Shaughnessy, Robby Ameen, Alex Acuna, Dan Haerle, Neil Slater, Corey Christiansen, Ted Rosenthal and Fred Hamilton.
Scott Wilson
PREMIER PERFORMANCE LISTENING

Jose Longoria

Director Jose Longoria is an award-winning performer and educator, and the director of Mariachi Imperial de America and also director for the University of Houston Mariachi Pumas!
Imperial de America has been in existence for over 30 years. Founded by the Longoria family patriarch in Houston, Texas; Mariachi Imperial de America arose from humble beginnings, mostly performing at private parties and other local venues across Houston. Today, Mariachi Imperial de America is recognized for its energy infused performances and ability to interpret songs in other languages including Mandarin, Armenian, and English.
Its diverse musical repertoire distinguishes Mariachi Imperial de America from other mariachi groups. Performances are filled with dancing, singing, and often include audience participation. If you listen closely you will hear musical influences from various genres of Latin music and traditional mariachi music. Performances often include theatrical imitations of artists like Juan Gabriel, Jose Alfredo Jimenez, and Vicente Fernandez.Locally, Mariachi Imperial has achieved great success, thanks to its members and loyal supporters. Among its accolades and recognitions, Mariachi Imperial received:
- Recognized as the #1 Mariachi in Houston by The Houston Press Magazine in 2005
- First place at the Mariachi Vargas Extravaganza by Mariachi Vargas de Tecalitlan
- First place at the Houston Live Stock Show and Rodeo Mariachi Competition
Nationally, Imperial de America has also been featured on Good Morning America, the Selena Vive concert, UFC, Mis Quince, and Jersylicious. Imperial de America has accompanied world renowned artists like: Beatriz Adriana, Pepe Aguilar, Bronco, Elsa Garcia, Grupo Mazz, Maribel Guardia, Lorena Herrera, Pablo Montero, Patricia Navidad, Bobby Pulido, Roberto Pulido, Nydia Rojas, Federicico Villa, and many others. Abroad, Mariachi Imperial de America has had the opportunity to perform for:
- Mexican Embassy in Beijing, China
- U.S. Embassy in Armenia, Albania, and Macedonia
- Mariachi Festival in Vancouver, Canada
Under the direction of Jose Longoria, the group has recorded three albums entitled: Son de Ambiente, Mas Alla de Mi Mexico, and Que Bonita Musica. Que Bonita Musica, their most recent album, includes recordings of original songs; and popular songs in English, Mandarin, Armenian, and Hindi. It’s precisely this interest in diverse styles of music and a passion for traditional mariachi music that has allowed Imperial de America to reach a wide audience.
Jose Longoria
PREMIER PERFORMANCE LISTENING

Stephen Page

Described by noted American composer Libby Larsen as “fearless on stage,” saxophonist Stephen Page has garnered international prominence as one of the leading saxophonist’s of today’s younger generation.
Dr. Page has appeared across four continents, in Belgium, the United Kingdom, Australia, Thailand, Hong Kong, Japan, Canada, and across the United States. He has performed under such notable conductors as Fredrick Fennell, Ray Cramer, Craig Kirchhoff, Gary Hill, Toshiyuki Shimada, Gary Green, Richard Heidel and Akira Mori.
Well known for his interpretations of the great original works for saxophone, Stephen has also gained acclaim for his innovative arrangements and performances of the violin repertoire from composers such as Brahms, Faure, Grieg, Franck and Prokofiev, and Bach. He has also furthered the saxophone repertoire through the commissioning of new works from composers such as John Mackey, David Maslanka, David Rakowski, Ida Gotkovsky, David Canfield, Mark Lewis, Gregory Wanamaker, and Mark Mellits, among many others.
Stephen has won prizes in no fewer than ten international and national competitions, including 1st Prizes at the North American Saxophone Alliance Solo Competition, Music Teachers National Association Chamber Music Competition, Eastern Connecticut Symphony Competition, AUREC Saxophone Competition and the Yamaha Young Performing Artist Competition. Additionally he has been awarded 2nd Prize in the North American Saxophone Alliance Quartet Competition (2008 and 2010), the Music Teachers National Association Young Artist Competition, and a Silver Medal at the prestigious Fischoff National Chamber Music Competition.
As the Alto Saxophone chair of the critically acclaimed Zzyzx Quartet, Stephen has appeared internationally in venues both public and academic in such notable venues as Izumi hall in Osaka, Japan, and Symphony Space in New York City. Their most recent recording, “Intersections” features standard original repertoire for quartet, newly commissioned works, and the group’s own transcriptions. Most recently, Zzyzx was selected to serve on the panel for the 2014 Barlow Endowment Prize as one of three internationally recognized quartets, and will premiere the winning composer’s new work for quartet in 2016.
Stephen Page
PREMIER PERFORMANCE LISTENING

Hector Gil

Hector Gil is the owner of Hector Gil Percussion LLC and serves as a percussion education consultant, curriculum designer, clinician, adjudicator, and arranger for various programs across the United States. Most recently, he served as Director of Percussion at Vista Ridge High School and Henry Middle School from 2008 to 2024, where his students achieved numerous national accolades that include being named The TMEA Invited Percussion Ensemble Winner (2023 – Vista Ridge), The TMEA Honor Band Winner (2024, 2018, 2014, 2010 – Henry MS), The Percussive Arts Society International Percussion Ensemble Competition Winner (2018 – Vista Ridge), The Percussive Arts Society International Percussion Ensemble Competition Winner (2014 – Henry MS), The Black Swamp Percussion Ensemble Showcase Winner (2017, 2022, 2024 – Vista Ridge), The Texas 6A UIL State Marching Band Champion (2018 – Vista Ridge), The Midwest International Clinic Performer (2014 – Vista Ridge), The Midwest International Clinic Performer (2022, 2016, 2012, 2010 – Henry MS), The Bands of America Grand National Championship Finalist (2021 – Vista Ridge), numerous finalist performances at UIL State and BOA Championships, and was a “Tournament of Roses” Parade Participant (2023 – Vista Ridge).
Hector attended Texas A&M University – Commerce where he received his Bachelor of Music Education degree in 2001. He marched the Bluecoats Drum and Bugle Corps in 1997 and 1998 as a member of the snareline. He was also a member of the 2000 Percussive Arts Society International Percussion Ensemble Competition winning collegiate ensemble with the Texas A&M University – Commerce Percussion Ensemble. He has been extremely fortunate to study from some incredible teachers that include Mr. Carlos Gil, Dr. Brian West, Mr. Bobby Francis, Mr. Bill Bachman, Dr. James Yakas, and Mr. Matt Savage.
He began his teaching career as the Director of Percussion at United High School in Laredo, TX (2002-2005), then moved to Fort Worth to be the Drumline Instructor for the Texas Christian University “Horned Frog” Marching Band (2005-2007), then as the Director of Percussion at Vista Ridge High School (2008-2024). In 2022, he served as the Percussion Caption Head for the Bluecoats 50th Anniversary Drum Corps.
Hector’s professional affiliations include The Percussive Arts Society, the Texas Music Educators Association, the Texas Bandmasters Association, and he is a proud artist with Innovative Percussion, Sabian, and Marimba One.
Hector Gil
Who can enter?
National Youth Wind Ensemble of Distinction
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- Middle School Concert Band
- High School Concert Band
- University Ensemble
- Youth / Community Ensemble
- International Ensembles in above categories including Elementary and University*
National Youth Choir of Distinction
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- Middle School Treble Choir
- High School Mixed Choir
- Children’s / Boy’s Choir
- Middle School Open – any type of choral ensemble
- High School Open – any type of choral ensemble
- University Choir
- Community Choir
- International Ensembles in above categories*
National Youth Orchestra of Distinction
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- Middle School Full Orchestra
- Middle School String Orchestra
- High School Full Orchestra
- High School String Orchestra
- Youth / Community Orchestra
- University Ensemble
- International Ensembles in above categories*
National Youth Jazz Ensemble of Distinction
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- Middle School Jazz Ensemble
- High School Jazz Ensemble
- International Ensembles in above categories*
National Youth Mariachi of Distinction
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- Middle School Mariachi Ensemble
- High School Mariachi Ensemble
- International Ensembles in above categories*
National Youth Chamber Wind Ensemble of Distinction
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- High School Chamber Winds
- College/University Chamber Winds
- Community Chamber Winds
- International Chamber Winds in above categories*
National Youth Percussion Ensemble of Distinction
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- Middle School Percussion Ensemble
- High School Percussion Ensemble
- International Ensembles in above categories*
*INTERNATIONAL Ensembles if participating can earn recognition in the Encore Circle or as a National Winner in the Maestro’s Circle, but are not eligible for an in person clinic at this time.*